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☆ Beyoncé’s ‘Cowboy Carter’ Adopts the Music of Opera Singers, Too
▼ + stars: | 2024-03-29 | by ( Joshua Barone | More About Joshua Barone | ) www.nytimes.com time to read: +1 min

Like much music of longing and sorrow from this time — such as the sadly beautiful arias of Mozart’s operas — “Caro Mio Ben” is in a major key, and has endured as such for more than two centuries as a concert and recording staple. But that’s also where Beyoncé comes in. “Daughter” excerpts “Caro Mio Ben” as a bridge and distorts its major-key atmosphere into a minor one to fit with the rest of the song. In Beyoncé’s “If you cross me, I’m just like my father/I am colder than Titanic water,” you can hear a spiritual descendant of Carmen’s warning to “be on your guard” from another opera classic, the Habanera. She doesn’t have the voice of an opera singer, but that doesn’t really matter.

Persons: — “ Caro Mio Ben ”, that’s, Beyoncé, “ Caro Mio Ben ”, “ Carmen ”, I’m, ”

☆ Philip Glass’s Piano Etudes: A Diary of an Influential Life
▼ + stars: | 2023-11-16 | by ( Joshua Barone | More About Joshua Barone | ) www.nytimes.com time to read: +2 min

For example, the Joyce’s program features a duet of hers set to the 18th Etude. “My first reaction is just to listen,” she said — to the Rachmaninoff-esque shading, the mellowness and alluring romanticism. Peck similarly described his étude, the Sixth, in poetic rather than structural terms. And the amount of time the étude takes, it feels like an eternity.”Not everyone has such strong emotional reactions to the études. “What Philip would say is, there’s plenty of other music in the world.”If there is any agreement on the études, it may be about their specific difficulties.

Persons: Childs, “, ”, —, Rachmaninoff, Peck, “ There’s, Andres, Philip, Mozart, Davies Organizations: Geffen

☆ Opera Philadelphia Cuts Its Budget, but Not Its Ambition
▼ + stars: | 2023-09-25 | by ( Joshua Barone | More About Joshua Barone | ) www.nytimes.com time to read: +3 min

And opera needs works like “10 Days,” which treats the medium with affection and respect while also chafing at its tropes throughout history. For this is an opera that jerks between beauty and terror — seamlessly under the baton of Daniela Candillari, leading an ensemble of about a dozen instrumentalists. The patients (members of Opera Philadelphia Chorus, led by Elizabeth Braden) can sing the same hymn with serenity in one scene and chaotic dissonance in the next, with few indications of which is the truer rendition. The most tragic of the patients is Lizzie (the mezzo-soprano Raehann Bryce-Davis, who sings with a lush and moving elegance that would make her ideal for mid-20th century American opera). Her repetitive ramblings come into logical focus with a long, crushing aria about the death of her daughter.

Persons: Nellie Bly’s, —, Bly, Daniela Candillari, Elizabeth Braden, Josiah Blackwell, Will Liverman, Joanna Settle’s, Andrew Lieberman, Kiera Duffy, Lauren Pearl, Raehann Bryce, Davis, Lizzie doesn’t, She’s Organizations: Opera Philadelphia, Academy of Music Locations: Roosevelt

☆ Schubert at the Vast Park Avenue Armory: Intimate, Lonely, Exposed
▼ + stars: | 2023-09-20 | by ( Joshua Barone | More About Joshua Barone | ) www.nytimes.com time to read: +1 min

But the idea of mounting, say, Mahler’s “Kindertotenlieder” didn’t appeal to Guth. “If you have this huge orchestra, it will be the same structure you have at a normal concert,” he said. “So, how to get this very specific situation of not being in the opera house or concert hall? We thought it would be great to have in this huge hall just this lonely singer exposed.”They arrived at the idea of a song recital. “It’s a thrilling space to put anything in, and in a way it’s your responsibility to do justice to it.

Persons: ”, Guth, Schubert, ” Guth, ” Levine, ” —, gesturing, “, I’ve, it’s Organizations: Armory, Metropolitan Opera

☆ Review: A Soprano’s Recital Captures Her Brilliant Sincerity
▼ + stars: | 2023-09-12 | by ( Joshua Barone | More About Joshua Barone | ) www.nytimes.com time to read: +1 min

What the soprano Julia Bullock loves about Kurt Weill’s music, she said during her recital at the Park Avenue Armory on Monday, is how it spins the personal into the universal. Even in her selection of this composer’s work: Weill, an exile artist whose sound exemplified Weimar Berlin before helping to shape Broadway’s golden age, was split between two countries. On the one hand, the evening was quintessentially her, in vocal character and preoccupations with historical and musical connections. The Board of Officers Room at the Armory, one of the most intimate and ideal spaces for vocal recitals, is also particularly well-suited to Bullock’s specific sound. At its fullest, her instrument can engulf an auditorium, but she keeps those moments in reserve; her performances are not defined by their size.

Persons: Julia Bullock, Kurt Weill’s, Weill, Bullock, John Arida Organizations: Armory Locations: Weimar Berlin, Germany

This is a season of transition for two of New York’s most important arts institutions. And Jaap van Zweden, the New York Philharmonic’s music director since 2018, starts his final year in the position with help from Yo-Yo Ma, Steve Reich and Schubert. Grand orchestras like the Chicago Symphony and Staatskapelle Berlin at Carnegie Hall; the Emerson String Quartet’s farewell; and premieres by Kate Soper and Ted Hearne are among the other highlights coming this fall. And Matthew Ozawa’s staging for Detroit Opera aims to be a corrective to stereotypes about Japanese women and culture (Oct. 7-15). DEATH OF CLASSICAL The impresario Andrew Ousley’s bleakly winking concert series, performed in crypts and catacombs, includes the Calidore Quartet, which will present Beethoven’s Op.

Persons: Jake Heggie’s, Malcolm X ”, Florencia, Jaap van Zweden, Ma, Steve Reich, Schubert, Kate Soper, Ted Hearne, Phil Chan, Matthew Ozawa’s, PERELMAN, ”, Mahani Teave, Andrew Ousley’s bleakly, Lowell Liebermann’s, Maxim Lando, Bach’s “ Goldberg, Hanzhi Wang, David Lang’s Pulitzer, “ Organizations: Metropolitan Opera, York, Chicago Symphony, Berlin, Carnegie Hall, Emerson Colonial Theater, Detroit Opera, Trinity Church Wall, Easter Locations: el Amazonas, Boston, American

☆ The Soprano Ailyn Pérez Doesn’t Feel Like a Beginner Anymore
▼ + stars: | 2023-09-03 | by ( Joshua Barone | More About Joshua Barone | ) www.nytimes.com time to read: +2 min

It helped — a lot — that by then she had met Soloman Howard. In 2016, Pérez starred as Juliette in “Roméo,” and her colleagues included Howard, a bass-baritone, as the duke. At one point, Santa Fe Opera asked Pérez to tape herself singing “Song to the Moon” from “Rusalka,” and Howard said, “‘We are going to make a video,’” she recalled. She doesn’t really remember that night — “I was out of my body” — but others do. Gelb, who said, “You can’t fake Verdi,” remembered her sounding “absolutely magnificent.” Nézet-Séguin, called it “a performance for the ages.”

Persons: Peter Gelb, ”, Pérez, “ Simon Boccanegra ”, Soloman Howard, Juliette, “, Howard, Ball, ’ ”, Gelb, Verdi Organizations: Met, Vienna, Santa Fe Opera, Goods Locations: Santa Fe, Chicago, Santa, “

Consider classical music a late bloomer. A concert in May doesn’t look so different from one in January. But then comes summer. Around early June, orchestras and opera companies close out their seasons, and music making begins to take on new, liberated forms. Instruments that seem so precious onstage make their way outdoors, suddenly looking as casual as the artists wielding them, who sometimes swap their formal concert attire for, well, whatever they want.

Locations: bloomer, New York

☆ A Conductor Who Wants to Put You ‘Inside the Sound’
▼ + stars: | 2023-08-16 | by ( Joshua Barone | More About Joshua Barone | ) www.nytimes.com time to read: +1 min

Growing up, the conductor Maxime Pascal was a self-identified musical dilettante. As a child in the south of France, he had some skill on the violin, and sat in on the piano lessons his mother taught. Now, though, Pascal, 37, is arguably his generation’s finest conductor of 20th-century music, as well as an essential interpreter of contemporary works. And his schedule reflects both the breadth of his ambition and the respect he has garnered on some of the industry’s most prestigious stages. This month, Pascal is at the podium of the Vienna Philharmonic for the Martinu rarity “The Greek Passion” at the Salzburg Festival in Austria.

Persons: Maxime Pascal, Pascal, ”, Pierre Audi, Le Balcon, Kurt Weill, Bertolt Brecht’s Organizations: New Orleans, Threepenny Opera, Vienna Philharmonic, Salzburg Festival Locations: France, Aix, Provence, Austria, Paris

☆ Louis Langrée Wraps Up a Quietly Transformative Era of Conducting
▼ + stars: | 2023-07-14 | by ( Joshua Barone | More About Joshua Barone | ) www.nytimes.com time to read: +2 min

Rattle, he recalled, told him: “If you want to have a deep experience as a music director, you should live in the city. “The thing that was important to Louis was to keep things going,” Martin said. The Cincinnati Symphony today, as with the Mostly Mozart orchestra, is largely a product of Langrée’s efforts. He was actively involved in the renovation of its home theater, Music Hall, and has hired, Martin said, “somewhere between a third and half” of the players. And, crucially, the group is performing at a level of excellence that reflects his taste for color and nuance.

Persons: ” Langrée, Moss, Langrée, Simon Rattle, Martin, “, Céleste, Antoine, Louis, ” Martin, “ It’s, ” Organizations: City of Birmingham Symphony, Walnut Hills High School, Cincinnati Symphony, Music Hall Locations: Cincinnati, Alsace

☆ The Ups and Downs of Europe’s Most Interesting Opera Festival
▼ + stars: | 2023-07-11 | by ( Joshua Barone | More About Joshua Barone | ) www.nytimes.com time to read: +1 min

Its draw is also in the departures from tradition. Without them, Aix would be another Salzburg instead of the most interesting opera festival in Europe — though at this point in Pierre Audi’s tenure as artistic director, “opera” is too limiting a label, with a slate over the past week of film, music theater, concerts and, yes, opera, including two new works, each of vastly different character. Many summer festivals exist primarily for the pleasure of music-making beyond the usual concert halls and theaters. In this edition, not everything succeeded artistically (or with audiences); some of what I saw was reckless, some of it offensive. In the pit, so to speak, was the Orchestre de Paris under the baton of its music director, Klaus Mäkelä.

Persons: Pierre Audi’s, ”, —, Klaus Mäkelä Organizations: Ballets, Vitrolles, Orchestre de Paris Locations: Aix, Salzburg, Europe

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